JAW New Play Festival
This annual theater festival invites the public into the creation process.
Oregon Arts Watch
Writing can be hard work, especially when it comes to the exacting craft and elusive art of writing plays. Fortunately, Portland Center Stage makes the process more productive and fun with its annual JAW Festival, which returns every July.
Celebrating more than a decade of festivals, JAW continues to draw some of the country’s most intriguing and entertaining playwrights to Portland. (These include the likes of Clarence Coo, recipient of a 2017 Whiting Award, and Ovation Award-winning playwright Meghan Brown.)
Best of all, the rest of us get to witness the fun!
JAW New Play Festival
JAW New Play Festival is Portland Center Stage’s annual summer camp for writers. The three-day event has a clear mission: Do what it takes to help writers improve their plays. Each year, the company painstakingly chooses plays (usually four) from hundreds of submissions by well-established and emerging writers. (The 2009 JAW writers, for instance, included Will Eno, already a Pulitzer Prize finalist, and Kimberly Rosenstock, who went on to acclaim as a writer for the Fox TV show “New Girl.”) Each writer brings a play in progress and works for a week with a director, a dramaturge and actors. Along the way, they revise and refine the words on the page to better tell the story on stage.
Since its start in 1999, JAW (originally called “Just Add Water”) has helped develop more than 95 plays with 92 writers. These have resulted in fully staged productions at more than 100 professional theaters across the country, including more than a dozen world premieres at Portland Center Stage. Among the many notable successes has been Dan O’Brien’s “The Body of an American,” about the Pulitzer-winning war photographer Paul Watson. The play had an acclaimed off-Broadway run and won the prestigious Edward M. Kennedy Prize for Drama Inspired by American History.
JAW is thoroughly invested in the needs of writers, and that pays off big for audiences. The public is invited in for free to experience “The Big Weekend.” Fanciful, site-specific performances by varied Portland theater artists and short plays by local high-school writers enliven the atmosphere. The main event is a series of staged readings of the featured plays. Don’t expect much in the way of costumes or sets; these bare-bones presentations offer the crackling energy of great actors digging into fresh ideas and emotions.
“New Plays are the bread and butter of the theater,” says Kamilah Bush, Portland Center Stage’s Literary Manager and JAW Festival Director. “JAW is an opportunity for our entire community to be early investors in the future of storytelling and community building. JAW readings and Press Play Events bring together artists of all disciplines from right here in Portland and across the country, making the big weekend an explosion of art and connection!”
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