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Pixies
2024 was a momentous year for Pixies. 35 years since groundbreaking Platinum-certified album Doolittle catapulted the band into the UK Top Ten, and 20 years since their celebrated reformation at Coachella, Pixies are deep into their second act. Bigger than ever, playing to fans spanning multiple generations, and in the midst of their most creative purple patch. A brand new album — titled The Night the Zombies Came — marks the group’s tenth studio record (if you count 1987’s Come On Pilgrim). 13 new songs that will arrive aptly in time for Halloween among a 2024 touring schedule taking in circa 70 shows across the globe — and even more announced in 2025.
Spend an hour or two in the company of Charles Thompson IV, and the conversation will soon fall to zombies, bog people, Druidism, medieval theme restaurants, shopping malls, the Masons, surf rock and the practice of slaughtering lambs in Monmouthshire. Along the way, he might take in Shirley Collins, the distinctive dry drum sound of 1970s’ Fleetwood Mac, and the sestina, a poetic form attributed to the 12th-century Provencal troubadour Arnaut Daniel.
Out of such disparate wonders are Pixies’ albums made. “Fragments that are related,” as Thompson (better known as Black Francis) puts it. “And juxtaposed with other fragments in other songs. And in a collection of songs in a so-called LP, you end up making a kind of movie.”